A Tribute to
TERROR ISLAND
TERROR ISLAND
By Gregory Achen
By Gregory Achen
Advertisement for Sunset Beach (1997) from Soap Opera Digest.
When NBC premiered Sunset Beach on January 6, 1997, the network hoped Aaron Spelling's newest soap opera would attract a younger audience than traditional daytime dramas. While ratings never reached the heights NBC had envisioned, the series carved out a loyal following by taking risks few soaps had ever attempted. Romance and family drama remained at its core, but Sunset Beach regularly borrowed ideas from blockbuster movies, primetime television, and even horror films. No storyline better demonstrated that philosophy than Terror Island, a New Year's 1998 event that transformed the soap into a full-fledged slasher movie.
At the time, horror was experiencing a major resurgence. Scream had become a surprise phenomenon after its release in late 1996, reinventing the slasher genre with a masked killer, self-aware storytelling, and a whodunit mystery. The following year brought another hit in I Know What You Did Last Summer (1997), proving audiences once again had an appetite for suspense, elaborate chase sequences, and young characters fighting to survive a mysterious killer. Hollywood was suddenly filled with slashers, and Sunset Beach became one of the few television series, particularly a daytime soap, to embrace the trend.
The similarities were impossible to ignore. Terror Island centered on a group of familiar characters stranded on a remote island where they found themselves hunted one by one by a mysterious figure dressed in a black petticoat and a frightening skull mask. While legally distinct from Ghostface, the costume immediately evoked the iconic image made famous by Scream. Like the films that inspired it, the storyline relied on false suspects, shocking deaths, and the constant question of who would survive.
For daytime television viewers, the shift in tone was startling. Soap operas had featured murder mysteries before, but Terror Island played less like a traditional daytime serial and more like an extended horror film unfolding over several weeks. Characters wandered through a gothic mansion and a dark forest, discovered bodies, fled from the masked killer, and questioned whether they could trust even their closest friends. Each episode ended on another cliffhanger, creating the same kind of suspense audiences expected from a theatrical thriller.
The story also benefited from the daily format. Instead of resolving the mystery in two hours, Sunset Beach stretched the suspense across multiple episodes, allowing viewers to speculate about the killer's identity for weeks. Every apparent clue pointed in a different direction, making the eventual reveal even more surprising.
The cast on location boarding the boat to Terror Island.
Susan Ward as Meg Cummings from Sunset Beach (1997) with a controversial amount of blood for daytime television programming.
One of the storyline's most bold moments came when the character Mark Wolper (portrayed by a pre-Bride of Chucky Nick Stabile) managed to remove the killer's mask, seemingly exposing Ben Evans (portrayed by Clive Robertson) as the murderer. It was a shocking revelation because Ben had been established as one of the show's central romantic heroes. Of course, this was Sunset Beach, and the apparent twist only opened the door to an even bigger one. The killer was ultimately revealed to be Derek Evans, Ben's long-lost identical twin, whose arrival launched another of the series' most memorable storylines.
The production itself also stood apart from most daytime television of the era. Rather than relying exclusively on standing studio sets, Terror Island featured extensive location photography, atmospheric nighttime cinematography, stunt work, and a noticeably more cinematic visual style. The show even featured a graphic amount of blood, unheard of for daytime programming at the time, that prompted complaints to NBC. Truly, the episodes looked and felt bigger than a typical soap opera, reflecting Aaron Spelling's desire to bring a primetime sensibility to daytime television.
The mask for the killer was custom-made for the show.
NBC promotional shot of the killer.
The Terror Island killer on the hunt for victims as he slowly walks up the stairs in Sunset Beach (1997).
Looking back nearly three decades later, Terror Island remains one of the most frequently discussed chapters in Sunset Beach's history. Fans continue to celebrate its willingness to abandon convention and embrace horror at a time when the slasher genre dominated popular culture. What could have been a simple ratings stunt instead became a defining moment for the series, one that demonstrated just how fearless Sunset Beach was willing to be.
Although the show lasted only 755 episodes before its cancellation in 1999, Terror Island helped secure its cult status. It proved that a daytime soap could do far more than romance and melodrama, it could deliver genuine suspense, memorable horror imagery, and a mystery that kept viewers guessing from one episode to the next.
While Scream and I Know What You Did Last Summer conquered movie theaters, Sunset Beach brought that same slasher energy into people's living rooms every weekday afternoon, creating one of the most inventive and unexpected storylines in daytime television history.
A scene from the Terror Island version of the "the final chase" typical of the slasher genre.
Susan Ward proves she too is a Scream Queen in one of the most iconic shots from the show.